I know, "willful suspension of disbelief."

So, Sunday evening, back from the gym, perched on the couch with some dinner, fighting off Nigel the Cat's attempts to participate in said dinner and watching Stargate: Atlantis. In this evening's rerun, Colonel Sheppard, McKay, and the usual suspects go through the gate in order to ascertain the status of an exploratory team that's missed their contact deadline. Apparently the planet is uninhabited but McKay had gotten some unusual energy readings or some similar piece of plot advancement.

So, pop - or maybe whoosh - through the gate they go:


Gosh, guys, that's quite a clear piece of ground for an uninhabited planet, but maybe that's from the Gate bubble or whatever they call it. Oh well, moving on - the team heads off in search of their missing predecessors:

Hmmm....I grew up in deer country, and I have to say that's a pretty impressive game trail you have there, people.

And then they find some corpses, far too old to be the missing team, but obviously victims of foul play, right there beside that big flat stump.

I'm sorry, but forget the bodies, you need to find out what in hell is running around this planet that leaves a fifteen foot wide trail and can bite off a tree with a four-foot diameter leaving a completely flat stump!!!!

Okay, I realize full well that in actual terms, they bundled the crew onto a couple of trucks, drove over to Stanley Park, and set up some cameras, probably happier than hell that it wasn't raining. But really, what were they thinking? Their audience is made up of science fiction fans, the most detail-oriented nitpickers on the planet - could they not have driven someplace up the Fraser Valley and found a piece of ground that didn't look quite so lived in?

- Sid

P.S. What's really unbelievable about this is that there's a web site that has 992 screen grabs from this episode. In fact, it looks like they have about a thousand screen grabs per episode, or 20,000 images per season. Wow - see above re: detail oriented fans.

"I suppose I'd rather die as a hero than as a meal."

Torrell: Well, I could kill you. But you strike me as the type of man who, despite being weak and cowardly on the outside, harbours a strength of character he doesn't even know he has.

Dr. Rodney McKay: I'm sorry - was there a compliment in there?

Living in Vancouver is a bit of an SF geek's dream, because so many science fiction series have been shot in and around the area. X-Files, Highlander, Andromeda, Smallville, Battlestar Galactica, Stargate SG-1, Stargate Atlantis, Flash Gordon - one could probably create one of those strange drinking games that would have people take a drink every time they identify a piece of local scenery in an episode.

If someone is playing that game, then the Stargate franchise has probably led to a few advanced cases of alcoholism, given the amount of location shooting that they've done here. Stargate Atlantis pays tribute to its real location by the inclusion of a unique character, that of Rodney McKay, the ascerbic Canadian scientist, brilliantly performed by Canadian actor David Hewlett.

McKay was originally introduced as a foil for Samantha Carter in Stargate SG-1, acting as someone who was (in theory) as smart as her and as such was able to suggest alternatives, or more often to shoot holes in her solutions. Sadly, he was usually proven wrong. In addition, he had a sort of smarmy sexual interest in Carter, which was completely unreciprocated.

However, as the resident genius on the Atlantis mission, the character of McKay has developed in a fashion unique to television science fiction characters of his stamp: he has, however slowly and reluctantly, become a hero. It is as if Lost in Space's Dr. Smith had developed into the saviour of the Robinson expedition instead of regressing from the cold saboteur of the first episode into a mincing, shrieking coward that seemed to be the cause of every problem that the crew faced.

I admire the writers' decision to develop McKay's character in the fashion that they have. TV science fiction is packed with heroic figures, but their heroics are a given: really, how much of a surprise is it to have the starship captain of your choice save the day? As a group, they're accomplished figures: scientists and diplomats, lovers and warriors, blessed with audacity, brilliance, cunning and determination.

McKay, on the other hand, is frightened and horrified by the situations in which he finds himself, without the training or the inclination to seize the moment and save the day. Nonetheless, he does just that on more than one occasion, and his reluctant heroics are accompanied by the sort of reactions that any ordinary person would likely have under those circumstances: he sweats, he hyperventilates, he stammers, and even passes out in one episode.

The only criticism I have of the manner in which McKay has been developed is that, after all that he's been through, you'd expect that he'd be getting a little bit more used to it by now! That aside, full points to the Atlantis writers, and I look forward to seeing how the new Rodney's relationship with Samantha Carter will develop now that she's been put in command of the Atlantis mission.

- Sid