Thursday, August 21, 2025

Respect!

In Space Babies, the first episode of Ncuti Gatwa's tenure on Doctor Who, the following exchange took place between Ruby and the Fifteenth Doctor:


It was an unexpected little meta-media tip of the hat from one iconic series to another, like listening to the cast of Friends discuss their favourite episode of Survivor.

Last week, the Star Trek franchise returned the favour in The Sehlat Who Ate Its Tail, the sixth episode of Season Three of Brave New Worlds.  The Enterprise is trapped inside a gargantuan scavenger ship, along with the remnants of a variety of other captured ships, including a Klingon D7-class battlecruiser, and, if you look very closely, a Type 40 Gallifreyan TARDIS in its standard British police box camouflage. 


It's good to see some reciprocal recognition, although, to be honest, I hope that's as far as it goes.  With the best will in the world, I can't imagine the canonical complexities that would result from an actual crossover episode, entertaining though it might well be.

- Sid

P.S. Just for the record, I did not spot this myself, but I have a strong geekish admiration for whoever did. 

Monday, August 18, 2025

Worldcon 2025: Epilogue.

Event Horizon by Donato Giancola

And now it's the day after.  I have a mild Worldcon hangover - like the children in The Lion, The Witch and the Wardrobe, it all seems like a dream now.  I somehow doubt that I'll attend another one, so this really was a once in a lifetime event for me.

In retrospect? It was an enormously satisfying experience in every way.  If anyone reading this is a fan of the written word in science fiction and/or fantasy, I strongly suggest that you attend a Worldcon if you can: it's a rare opportunity to participate in sessions and dialogues about the things that you know and love, to pick up new information, to hear stories and anecdotes, to see some of your favourite authors read and discuss their work in person, to be introduced to new authors, to get autographs, pick up some books, old or new, buy some merch, and generally celebrate your love of the field for five days.

I'm not a very gregarious person, so I didn't attend any of the after dark events, it's not in my nature, but I applaud the people who took advantage of that opportunity to celebrate the community on the dance floor as well.  

However, there were some  - well, disappointments is a strong word - let's say surprises.  

I thought that Tor Books would have a massive presence in the dealers room.  In fact, I thought all the major publishers would be there.  There was excellent representation by smaller publishing houses, but none of the major players were in attendance.

I was a bit surprised that Guest of Honour Martha Wells didn't present an award at the Hugos. There were some guest presenters - and, full disclosure, no one I knew by name - but there were some well known names in attendance, such as David Brin, Paolo Bacigalupi, Nancy Kress, and Robin Hobb, and it struck me as odd that I didn't see anyone whose name I recognized from my bookshelves handing out a rocket ship statue.

There were a few gaps in the management of the event. The first day was very obviously a learning experience for the panelists in terms of figuring out how the microphones worked, activating the voice-to-text accommodation systems, trying to connect to projectors, and otherwise dealing with tech support issues that should have been supported by the venue.  

There were also some situations that required an event representative who just wasn't there, such as checking signups for the in-person author Table Talk event on the last day.  I was on the standby list for Larry Niven, and the start time came and went without anyone from the convention taking charge. If there had been room at the table, I would probably have just sat down with Mr. Niven - and for all I know, some of the people filling the seats had just shown up and taken a chair.

Finally, there were several sessions where I honestly felt I could have done a better job as a panelist than the actual participants.  Obviously not the more specialized sessions, such as the excellent NASA/JPL talks, but for topical programs such as War—From Star Trek to The Expanse or Man Versus Extraterrestrial Nature, I would have been able to bring as much to the table (literally) as some of the chosen panelists, if not more. 

That being said, I have a general dislike of non-participant criticism, so maybe I should try to attend another Worldcon after all, and put my name in the hat as a panelist.  Apparently Edmonton is in the early stages of bidding for the 2030 Worldcon, that might be my opportunity to put my money where my mouth is.

Criticism aside, the short answer is that it was an excellent event and I had a wonderful time, and I would like to thank all of the people who were involved in any way with making this Worldcon happen.  My only real regret is that there was not enough time in the day to do all of the things I wanted to do.  

- Sid

Worldcon 2025: Gallery.

 A selection of images from Worldcon 2025 in Seattle:

The big room - dealers, publishers, sellers, promoters...

And a Tiki Dalek. 

 

I somehow feel that there's always a TARDIS at this sort of event - as there should be, of course.

Legendary - LEGENDARY - artist Phil Foglio, whose comic book adaptation of Robert Aspirin's Mythadventures novel is a million times funnier than the source material.  I felt honoured - and a little bit shy when I asked for a photo. 

https://girlgeniusonline.com/

https://www.studiofoglio.com/

Grand Master of Science Fiction Robert Silverberg mingling - I somehow expected more exciting socks.

 

It did taste good, but I'm sorry, this plus a Sprite is NOT a $29.91 CAD meal.

Publisher's Row.

The LOCUS booth - but where are the other magazines?

Fantasy author Robin Hobb doing sponsored booth signings.  For absolutely no good reason, I always thought that Robin Hobb was a man, not that it matters.

I have thought about making a costume to go with my X-Wing pilot's helmet, but $450 USD is well above my price point - even if it comes with boots.

The venue's automated captioning system turned out to be an unexpected source of entertainment.

"If I were a rich man..."

"All day long I'd biddy dibby bum, if I were a wealthy man!"

"And I'd discuss the holy books with the learned men..."

Hard to go wrong with dinosaurs.

That being said, cephalopods are certainly having a moment.  I remember when it was dolphins...

I was strongly tempted by this one, Roger Zelazny has always been one of my favourite authors - but it actually wasn't in great condition.  No regrets...

A great selection, but honestly, all priced just a little bit too high - I would be able to find a lot of these locally in Vancouver for less money.  

The Sistah Sci-Fi Vending Machine - better living through science.

T-shirts, anyone? Fortunately I had already used up my clothing budget on a Worldcon souvenir t-shirt.

- Sid

 

Worldcon 2025: TANSTAAFL?

If there was one thing that surprised me more than anything else about Worldcon, it was that there was a Freebies booth.  I generally don't have a lot of faith in giveaways, as per the title of this posting*, but in this case, it turned out to be accurate.

There were three kinds of freebies available - random ephemera, like pens, buttons, post cards and book marks; free books from publishers; and, most unexpectedly, a donations section, where attendees dropped off unwanted books for the taking.  

I have to admit that I do love little bits and pieces of merch, and the freebies table was a target rich environment.  That being said, I managed to avoid overindulging, and walked away with a relatively small selection of glossy items, including a very nicely printed 11x17 poster for Matt Wagner's 2019 Grendel comic book series on heavy stock.  (Full disclosure, I actually nabbed three of these, in hopes that at least one of them would survive the rigours of packing and the luggage compartment on the bus home.)

The selection of new publications being given away didn't hold a huge appeal for me, which is probably unfortunate, given that the whole purpose of giving away copies of a new book is to help create buzz.  However, I've been trying to limit my new book acquisitions, even free ones, and I only had so much extra room in my luggage. 

The free used books were a different story (no pun intended).  I visited the used shelves several times during the convention, and there seemed to be a steady flow of new donations, my thanks to all the contributors who kept the selection fresh. I did my best not to get carried away, but I still ended up with a solid stack of replacement copies, along with a couple of spur of the moment choices, like the Jim Burns book. There were even some free Ace Doubles** in good condition - I can only imagine the embarrassment of riches in someone's library that would allow them to do this.

I could easily have come back with a much bigger stack of books, were it not for the realities of transporting them back to Canada on the bus. As it was, I felt a bit like a bag lady as I stood in line at the bus terminal, but fortunately, no one sat beside me, which gave me a little bit more room for extra luggage.

Oh, and all three of the Grendel posters reached Vancouver almost completely unscathed, please let me know if you're in the GVR and you'd like one.

- Sid

 * There Ain't No Such Thing As A Free Lunch, a phrase which I first encountered in the classic Robert A. Heinlein's novel The Moon Is A Harsh Mistress. 

** Even more surprising than someone giving away free Ace Doubles in good condition was the fact that two of them were new editions of previously published Ace Double novels, which I'd never seen before.  It had never occurred to me that that Ace would do remix editions.  

Sunday, August 17, 2025

Worldcon 2025: Quotable Quotes.

"I'm the brontosaurus of the party. You're talking about history - this is my life."

Robert Silverberg, author

‘“Mars is my planet.”

Bridget Landry, JPL engineer, retired. 

"People complained, 'They made it funny.' - I am funny!"

Martha Wells, author, on the Murderbot series adaptation

"I'm a terrible actor. I would have to be a dead body."

Martha Wells, on doing a cameo on Murderbot 

"If you enjoy this reading, you can't buy it yet."

Fonda Lee, author

"I started writing fantasy because writing science fiction was just reworking the fears of the day, I wasn't bringing anything new to that conversation. And it was DEPRESSING!"

Paolo Bacigalupi, author 

"I never had a brand."

Nancy Kress, author  

 
 "When I get a fantasy idea, I write it.  Sometimes I write it as science fiction, in which case I write two stories."

Larry Niven, author 

"When I was starting out, I tried to learn from other writers.  It's very hard to imitate Bradbury, he has a great talent for implying that there’s a story there."

Larry Niven, author 

"I helped invent a lot of elements in these and I hate them."

David Brin, author, regarding his cell phone.  

"I get hate mail from my 35 year old self and I don’t remember how I sent them: GET ON WITH IT, OLD MAN!!" 

David Brin, author, on whether he will write another Uplift novel

"My name is Olav Rokne, and as of last night I have lost the Hugo for best fanzine six times."

Olav Rokne, blogger 

"Why do Klingons only speak one language? Genocide." 

Olav Rokne, blogger 

"The future belongs to everyone."

Jordan S. Carroll, author, from his Hugo acceptance speech for Speculative Whiteness: Science Fiction and the Alt-Right

- Sid

Worldcon 2025: And the winner is...

2025 Astounding, Lodestar, and Hugo Award Winners

Astounding Award
Moniquill Blackgoose

2025 Lodestar Award for Best Young Adult Book
Sheine Lende
, by Darcie Little Badger

Best Poem
A War of Words, by Marie Brennan

Best Fan Artist
Sara Felix

Best Fan Writer
Abigail Nussbaum

Best Fancast
Eight Days of Diana Wynne Jones,
presented by Emily Tesh and Rebecca Fraimow

Best Fanzine
Black Nerd Problems
, editors William Evans and Omar Holmon

Best Semiprozine
Uncanny Magazine
, publishers and editors-in-chief: Lynne M. Thomas and Michael Damian Thomas; managing editor Monte Lin; poetry editor Betsy Aoki, podcast producers Erika Ensign and Steven Schapansky

Best Professional Artist
Alyssa Winans

Best Editor, Long Form
Diana M. Pho

Best Editor, Short Form
Neil Clarke

Best Game or Interactive Work
Caves of Qud
, Freehold Games

Best Dramatic Presentation, Short Form
Star Trek: Lower Decks: “The New Next Generation”,
created and written by Mike McMahan, directed by Megan Lloyd

Best Dramatic Presentation, Long Form
Dune: Part Two
, screenplay by Denis Villeneuve and Jon Spaihts, directed by Denis Villeneuve

Best Related Work
Speculative Whiteness: Science Fiction and the Alt-Right
, by Jordan S. Carroll

Best Graphic Story or Comic
Star Trek: Lower Decks: Warp Your Own Way
, written by Ryan North, art by Chris Fenoglio

Best Series
Between Earth and Sky
, by Rebecca Roanhorse

Best Short Story
Stitched to Skin Like Family Is”,
by Nghi Vo

Best Novelette
“The Four Sisters Overlooking the Sea”
by Naomi Kritzer

Best Novella
The Tusks of Extinction
, by Ray Nayler

Best Novel
The Tainted Cup
, by Robert Jackson Bennett

- Sid 



 

Thursday, August 14, 2025

Worldcon 2025: Valentine's Day.

Finally, it all successfully comes together for my quest to get a signature at Worldcon from science fiction legend Robert Silverberg

The autograph session is scheduled from 3:00 to 4:00. At 2:30 I leave a disappointing talk on the Europa Clipper mission by Space Guest of Honour Bridget Landry, who spent the first fifteen minutes of her allotted hour eating lunch and answering questions with her mouth full, and the next 15 minutes waiting for someone to run back to her hotel room and find the USB stick with her presentation slides, and hurriedly take the escalator down to the third floor autograph venue.

It makes me a little nervous to see that there's already a substantial lineup, and that one of the people in line has a dolly with a couple of storage boxes on it, presumably filled with copies of Silverberg's books.  I quickly get in line and do some math: there's about 30 people in front of me, the autograph session is scheduled for about an hour, hopefully most people don't take much more than a minute - I should be fine, provided that the 90-year-old man of the hour arrives on time and stays the course for the full sixty minutes.

A Worldcon volunteer makes their way along the line, offering Post-It™ notes for people to write out any personalized salutations in advance, and announcing that Mr. Silverberg will be signing a maximum of three books. (Presumably to the disappointment of Mr. Dolly.)  I'm good - I have the hard cover first edition of Lord Valentine's Castle that I ordered online and the paperback copy that I found in Vancouver, along with a trade paperback version of Science Fiction 101, his combined textbook/reminiscence/anthology.  I have other Silverberg books in my collection, but they were not in ideal condition, and I felt oddly embarrassed to show up with something the worse for wear for a signature.

The line begins to move - presumably someplace around the corner, Mr. Silverberg has made his arrival.  We move along at a decent pace, until he comes into view.  The person behind me in line comments that Silverberg looks to be in a good mood, an issue which hadn't occurred to me.  Apparently he was less friendly at the 2024 Glasgow Worldcon, due to a bad flight experience and time zone issues. 

Once my turn comes, there are no problems, and Silverberg is affable and cheerful, if a bit businesslike:  after all, he has a lot of signatures to get through.  He carefully signs my three books, and consents to a photo:


I give him my sincere thanks, leave the line, and return my books to their protective wrapping, hopefully I can get them home without any mishaps or damage.

And finally, the result:

Thanks again, Robert - I hope you continue to attend Worldcon for many years to come.

- Sid