Thursday, May 1, 2008

"On the dark side of the moon"

"Dark Side of the Moon is THE signature album of the twentieth century."
Chris Sumner, a Friday night several months ago.
(Disavowed when sober)
Having just been awakened, as usual, by the somehow concerned meowing of the infamous Nigel, the fleeting memories of a dream begin to fade in the daylight, as dreams tend to do. Sadly, due to workload, many of my recent dreams have dealt with paper stocks and printing issues (no, really), and very often I have no memory of my dreams at all, but in this case, the fragments of my dream were of a science fiction drama on the moon - on the dark side of the moon, to be specific.

I have to give full credit to my subconscious mind for the large portion of my dream involving my relationship with one of the other members of the moon base - a somewhat hawk-faced, kinky haired blonde woman who might have been an Israeli. Thanks, subconscious, now if you can have this woman cross my path in the real world... That aside, the dream was surprisingly retro, with a military contingent on the base in case of difficulty with the opposing Russian mission, concealed data disks and people assembling vacuum-capable weaponry that probably wouldn't work like they did in the dream. There were even references to the Apollo missions. As one of the soldiers was putting together some kind of tripod-mounted light artillery, he mutters something about "getting his golf club ready", in acknowledgement of Alan Shepard's 1971 golf shot during Apollo 14.

However, in the clear light of day, it occurred to me that at no point did I notice the lower gravity. How sad that imagination failed me at that point! Sigh...I blame innumerable TV programs that have come up with workarounds to keeps the budget down, but it's unfortunate that my sleeping mind was unable to make the leap (no pun intended) to quarter-gravity. Perhaps another time...
-Sid

Sunday, April 20, 2008

Sequels, Endings and Unendings.

As part of a recent income tax refund spending spree, I made an impulse purchase of the post-series Stargate SG-1 movie The Ark of Truth. I've followed Stargate SG-1 to a greater or lesser extent over the years, and although it's never been one of my favourites, for the most part I've been pleased with the show. 

However, I found The Ark of Truth less than impressive, especially when compared with similar offerings from other science fiction series over the years. 

As far as research reveals, science fiction originates the idea of the post-series movie. It's possible that Star Trek breaks ground on the concept, although my good friend Alan pointed out, the Peter Cushing Doctor Who movies from the 60's may have a better claim as the first TV-series-to-movie films. Regardless of which series gets the ball rolling, the genre has certainly taken to the idea, especially in cases where cancellation has prevented the completion of a major story arc, as in the cases of Farscape and Firefly

The Peacekeeper Wars - a marvellous title - is Farscape's entry into the post-cancellation sweepstakes, and as such sets the standard in terms of quality. Massive fleets meet in apocalyptic combat, a major character dies, the two lead characters marry in a hail of mortar shells and gunfire, the existence of the galaxy itself is threatened, and the post-climax dénouement provides a touching and appropriate conclusion to the series. (I have to confess to a certain degree of bias here, I feel that Claudia Black, who plays Aeryn Sun, may be the most beautiful woman on the planet.) 

Coincidentally, Serenity, the Firefly movie, has some of the same elements, including huge fleets of starships in battle and the death of a major character - or two - or three. However, Joss Whedon's unique style makes any sort of comparison irrelevant, and Serenity has the sort of ambiguous morality that he seems to build into all of his work. 

And so to The Ark of Truth - how does it miss the mark compared to Serenity or The Peacekeeper Wars? I think that I was expecting something more dramatic and with less deus ex machina. The parallel story lines of Ori and Replicators are both resolved almost casually - admittedly at the last moment, but there was no real sense of tension and climax to either resolution.  Yes, the characters are all in danger, yes, it comes down to the last moment, but in both cases the "last minute" solution comes and goes with no sense of drama, to the point where I found myself wondering thinking, "That was it? That's all?". 

I'll be fair and say that The Ark of Truth isn't terrible, but it's not great, either, it's basically an average episode of the TV series. The only bright spot was an unexpectedly monologue by Teal'c which for the first time in the series offered some insight into his guilt about his actions as First Prime to Apophis. 

The unfortunate thing is that in the Stargate SG-1 series finale, Unending, the writers came up with a brilliantly simple series send-off that really didn't require a followup, regardless of whether or not the menace of the Ori was ever dealt with. The idea of trapping the major characters in a bubble of time for sixty years sounds boring, but it offers an ideal opportunity for those characters to reveal their true natures when faced with a completely different kind of tension and pressure. 

Michael Shanks delivers what may be his best speech in the entire ten years of the series during a poignant, vulnerable scene between his character Daniel and Vala, played by Claudia Black. Interestingly, the scene was rewritten entirely after the two actors found that the original version "didn't feel like the characters". 

Apparently there's another Stargate SG-1 movie in the pipe, but I have to say that I'm going to be a bit leery about running right out and buying it at full price. After all, once bitten and all that, and unless it's substantially better than The Ark of Truth, it won't be difficult to find it in the 2 for $10 box at HMV.

- Sid

Sunday, April 13, 2008

Even two seems like a lot, when you think about it.

"Do you add to the blog on a regular basis, like do you work on a topic for a while and then post it sort of on a schedule, or just as it comes? Inquiring Cloins want to know..."
Colin Campbell
Since Mr. Campbell, whose Campbell Brothers blog was the inspiration for The Infinite Revolution*, has expressed some curiousity about my process via e-mail, I thought it only appropriate to take a moment and do a posting on posting. I suspect that anyone who does blog postings on an area of interest rather than as a diary ends up doing one of these meta-media things, so I might as well get mine out of the way.

I don't have any sort of set schedule for postings. It's just something I do for fun, and as such there's no reason to sit down every two days and force myself to write something. However, I have to say that life is full of inspiration and opportunity for topics. As an example, let's look at the last week or two.

About a week and a half ago, I discovered that my Friday night dinner-and-drinks friend Chris, who is familiar with Terry Pratchett's work, is (or was, he's fickle) a big Harry Potter fan, likes Fafhrd and the Grey Mouser, and is gradually weaning himself away from World of Warcraft, had never heard of Michael Moorcock's Elric series. Well, rather than bending the poor fellow's ear for half an hour, I'll probably do an Elric of Melniboné posting to get that out of my system.

I received my income tax refund this week, and as a result did a little non-necessity shopping this weekend. Picked up a copy of the straight to DVD movie Stargate: The Ark of Truth and found that it compared unfavourably to the Firefly and Farscape post-series movies, another good topic for a posting. I also bought a copy of The Crow - comic book adaptations have been uneven as well, lots of grist there for the mill.

I'm currently reading a couple of books (they're in different rooms, if you're wondering how that works) that both deal with hostile or possibly hostile technologically superior aliens. Aliens - good topic, that, one of the big SF concepts as well as being one of the major foundations of the genre as established by H. G. Wells. Wells gave us time travel, space exploration, alien invasion, genetic manipulation (The Food of the Gods) and invisibility, just to name a few of the major themes that he introduced. This one is probably two postings, I've been toying with an H. G. Wells piece for some time.

And so it goes... I've also got a few partial drafts in progress, as well as doing ongoing research for the global/racial/feminist postings. It's difficult sometimes, because I worry about having the right titles and opening paragraphs, not to mention picking out all those quotes. Irritatingly, I find that I tend to compose bits of the postings in my head when I'm at the gym, and end up either forgetting them or trying to scribble them down in my workout log book between sets.

Sourcing images is fun too. In this case the graphic at the top of the page is taken from xkcd, a webcomic of "romance, sarcasm, math and language." Taken without permission, frankly - the Internet is like that - but I'll be happy to remove the image if they complain and at least I've credited them and linked to their site. I've done scanning, pulled images from .avi files, and learned the Unix command that provides a workaround for the fact that Apple disables the screen shot keyboard command when DVD's are playing.

All in all, I find it to be a pleasant little hobby. At one point I was considering taking a class in science fiction as literature, but I think that blogging has removed that desire by giving me a forum to speak my mind without having to worry about being graded.
- Sid
*Much as axe murder was the inspiration for brain surgery.