Sunday, April 20, 2008

Sequels, Endings and Unendings.

As part of a recent income tax refund spending spree, I made an impulse purchase of the post-series Stargate SG-1 movie The Ark of Truth. I've followed Stargate SG-1 to a greater or lesser extent over the years, and although it's never been one of my favourites, for the most part I've been pleased with the show. 

However, I found The Ark of Truth less than impressive, especially when compared with similar offerings from other science fiction series over the years. 

As far as research reveals, science fiction originates the idea of the post-series movie. It's possible that Star Trek breaks ground on the concept, although my good friend Alan pointed out, the Peter Cushing Doctor Who movies from the 60's may have a better claim as the first TV-series-to-movie films. Regardless of which series gets the ball rolling, the genre has certainly taken to the idea, especially in cases where cancellation has prevented the completion of a major story arc, as in the cases of Farscape and Firefly

The Peacekeeper Wars - a marvellous title - is Farscape's entry into the post-cancellation sweepstakes, and as such sets the standard in terms of quality. Massive fleets meet in apocalyptic combat, a major character dies, the two lead characters marry in a hail of mortar shells and gunfire, the existence of the galaxy itself is threatened, and the post-climax dénouement provides a touching and appropriate conclusion to the series. (I have to confess to a certain degree of bias here, I feel that Claudia Black, who plays Aeryn Sun, may be the most beautiful woman on the planet.) 

Coincidentally, Serenity, the Firefly movie, has some of the same elements, including huge fleets of starships in battle and the death of a major character - or two - or three. However, Joss Whedon's unique style makes any sort of comparison irrelevant, and Serenity has the sort of ambiguous morality that he seems to build into all of his work. 

And so to The Ark of Truth - how does it miss the mark compared to Serenity or The Peacekeeper Wars? I think that I was expecting something more dramatic and with less deus ex machina. The parallel story lines of Ori and Replicators are both resolved almost casually - admittedly at the last moment, but there was no real sense of tension and climax to either resolution.  Yes, the characters are all in danger, yes, it comes down to the last moment, but in both cases the "last minute" solution comes and goes with no sense of drama, to the point where I found myself wondering thinking, "That was it? That's all?". 

I'll be fair and say that The Ark of Truth isn't terrible, but it's not great, either, it's basically an average episode of the TV series. The only bright spot was an unexpectedly monologue by Teal'c which for the first time in the series offered some insight into his guilt about his actions as First Prime to Apophis. 

The unfortunate thing is that in the Stargate SG-1 series finale, Unending, the writers came up with a brilliantly simple series send-off that really didn't require a followup, regardless of whether or not the menace of the Ori was ever dealt with. The idea of trapping the major characters in a bubble of time for sixty years sounds boring, but it offers an ideal opportunity for those characters to reveal their true natures when faced with a completely different kind of tension and pressure. 

Michael Shanks delivers what may be his best speech in the entire ten years of the series during a poignant, vulnerable scene between his character Daniel and Vala, played by Claudia Black. Interestingly, the scene was rewritten entirely after the two actors found that the original version "didn't feel like the characters". 

Apparently there's another Stargate SG-1 movie in the pipe, but I have to say that I'm going to be a bit leery about running right out and buying it at full price. After all, once bitten and all that, and unless it's substantially better than The Ark of Truth, it won't be difficult to find it in the 2 for $10 box at HMV.

- Sid

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