Showing posts with label Spock. Show all posts
Showing posts with label Spock. Show all posts

Wednesday, April 8, 2009

"Wouldn't you rather see the whole movie?"


Imagine if you will: you and a couple of friends decide to head over to the Alamo Drafthouse Cinema, down there in Austin, Texas - they're going to show The Wrath of Khan, the best of the original series Star Trek movies, as part of this year's Fantastic Fest, and then there's supposed to be a ten minute preview from the new Star Trek prequel movie. There's a bit of chat from the guests from the production team of the new movie about the preview, then Wrath of Khan starts.

Ah, come on - two minutes in and the film jams? Damn analog technology.... Hold on, who's that on stage? Leonard Nimoy? Spock? What? And he's just asked if we wouldn't rather see the WHOLE new Star Trek movie?!

The surprise premiere of the new Star Trek movie at this year's Fantastic Fest in Austin, Texas, an annual film festival dedicated to fantasy, horror, action and science fiction, has to be the best thank-you to the fan community of all time. It's also an extraordinarily brave thing to do, especially considering that the recent Wolverine work print leak is still echoing around the Internet. But even without that, I have to give Paramount full credit for boldly combining a brilliant guerilla marketing move with an acknowledgement of the importance of the fans to the Star Trek franchise.

It's also going to make those people in the audience into legends in the fan community: "We few, we happy few, we band of brothers", as Shakespeare puts it. Of course, the hard core being what it is, you can guarantee that at least one person in the audience was angry about not seeing Wrath of Khan for the 215th time.
- Sid

Monday, September 8, 2008

Part One: the best known split infinitive of all time.


Space: The final frontier
These are the voyages of the starship, Enterprise
Its 5 year mission
To explore strange new worlds
To seek out new life and new civilizations
To boldly go where no man has gone before...
Today we celebrate the birthday of one of the great science fiction icons: the original Star Trek, which began its run on September 8th, 1966.* It is impossible to think of any other piece of popular entertainment that has had the same impact on society as this short-lived NBC series, which only managed to limp along for three seasons before being cancelled.

Why is the damn thing so popular?

For the moment, let's ignore all of the sequels, movies, spin-offs, cartoons, comic books, novels, and games: let's just look at the original Star Trek, because it paves the way for all of the others. All of the succeeding material is a bit like preaching to the choir - the original series is what creates the enormous following that allows for everything that follows. So let's jump back in time (pardon me a minor science fiction moment there) to 1966 and have a look at the original Star Trek in its natural environment.

In 1966, science fiction is thin on the ground for the television viewer. The Twilight Zone had come and gone (with a younger William Shatner featured in the episode, "Nightmare at 20,000 Feet") and since then very little has come to fill the gap. Lost In Space is starting its second season, but it's already starting down the road to increasingly juvenile and camp episodes, and The Time Tunnel, an unfortunate pastiche of historical inaccuracy and movie filler shots, begins its first season. Bewitched and Batman are only marginally in the genre, and Dark Shadows is more of a soap opera than anything else.

Having listed the competition, the question becomes more one of why Star Trek wasn't more successful than it was! Full credit has to go to Gene Roddenberry, creator of Star Trek, for the breadth of his vision of the 23rd Century. Unsuspecting people who didn't know their Asimovs from their Ellisons (so to speak) were suddenly exposed to a startling array of marvels: fast-than-light warp drive, the transporter**, phasers and photon torpedoes, replicators, tractor beams, force fields, time travel, parallel universes, alien races, planet killers, androids, galactic empires, and the entire catalogue of future wonders. It must have hit unsuspecting viewers like a bomb when compared to the alternatives.

The main characters are perhaps a little one-dimensional, but the real value of the triumvirate of Spock, Kirk and McCoy is that they represent the elements of Logic, Will and Emotion that are constantly in conflict in everyone's character, but externalized and given life. Similarly, at their best the plot lines deal with topics on an almost Shakespearian level, the constants of love, hate, laughter and fear that are the mainstays of life. Are all of the episodes brilliant? No, of course not, but even at its worst Star Trek has a feeling of elemental appeal, of addressing fundamental issues and questions.

And yet, somehow, all of that is secondary to the real significance of the program. The Cold War is a very real threat in 1966. In 1962, a mere four years earlier, the Cuban Missile Crisis had poised the world on the brink of nuclear war, and the hands of the Doomsday Clock stand at seven minutes to midnight. Meanwhile, angry crowds barrage Martin Luther King with stones and bricks in Chicago, Malcolm X has been dead for just over a year, and the Watts Riots are still an angry memory.

Star Trek presented a future in which humanity, as a species, had survived - not a perfect future, but a better one, a hopeful one, and the word "hope" is the one most often used when the importance of the show is discussed. The multi-racial bridge crew represented one aspect of that hope: again, forty years after the event, it's difficult to realize how astonishing the character of Lieutenant Uhura was in 1966, where the concept of a woman of colour occupying a position of authority would still have been extraordinary - and inspirational.

"Inspirational" may be the key to all of it. If, as is the dream of every science fiction fan, we eventually make our way to the stars, some small credit for that leap should lie with Star Trek, simply for suggesting that we might be capable of making it.
- Sid

* We also celebrate the birthday of Paul Levesque, TPH courier, but since he hasn't spawned any spinoffs or sequels, there are no Paul Levesque conventions, and his fan base, although dedicated, is much smaller, some other blogger is going to have to discuss his quirky success.

** I know full well that the transporter was invented in order to save the money that would have been spent on special effects shots of the Enterprise landing on planets, but that in no way diminishes the brilliance of the idea.