Worldcon 2025: Quotable Quotes.

"I'm the brontosaurus of the party. You're talking about history - this is my life."

Robert Silverberg, author

‘“Mars is my planet.”

Bridget Landry, JPL engineer, retired. 

"People complained, 'They made it funny.' - I am funny!"

Martha Wells, author, on the Murderbot series adaptation

"I'm a terrible actor. I would have to be a dead body."

Martha Wells, on doing a cameo on Murderbot 

"If you enjoy this reading, you can't buy it yet."

Fonda Lee, author

"I started writing fantasy because writing science fiction was just reworking the fears of the day, I wasn't bringing anything new to that conversation. And it was DEPRESSING!"

Paolo Bacigalupi, author 

"I never had a brand."

Nancy Kress, author  

 

 "When I get a fantasy idea, I write it.  Sometimes I write it as science fiction, in which case I write two stories."

Larry Niven, author 

"When I was starting out, I tried to learn from other writers.  It's very hard to imitate Bradbury, he has a great talent for implying that there’s a story there."

Larry Niven, author 

"I helped invent a lot of elements in these and I hate them."

David Brin, author, regarding his cell phone.  

"I get hate mail from my 35 year old self and I don’t remember how I sent them: GET ON WITH IT, OLD MAN!!" 

David Brin, author, on whether he will write another Uplift novel

"My name is Olav Rokne, and as of last night I have lost the Hugo for best fanzine six times."

Olav Rokne, blogger 

"Why do Klingons only speak one language? Genocide." 

Olav Rokne, blogger 

"The future belongs to everyone."

Jordan S. Carroll, author, from his Hugo acceptance speech for Speculative Whiteness: Science Fiction and the Alt-Right

- Sid

Worldcon 2025: Valentine's Day.

Finally, it all successfully comes together for my quest to get a signature at Worldcon from science fiction legend Robert Silverberg. 

The autograph session is scheduled from 3:00 to 4:00. At 2:30 I leave a disappointing talk on the Europa Clipper mission by Space Guest of Honour Bridget Landry, who spent the first fifteen minutes of her allotted hour eating lunch and answering questions with her mouth full, and the next 15 minutes waiting for someone to run back to her hotel room and find the USB stick with her presentation slides, and hurriedly take the escalator down to the third floor autograph venue.

It makes me a little nervous to see that there's already a substantial lineup, and that one of the people in line has a dolly with a couple of storage boxes on it, presumably filled with copies of Silverberg's books.  I quickly get in line and do some math: there's about 30 people in front of me, the autograph session is scheduled for about an hour, hopefully most people don't take much more than a minute - I should be fine, provided that the 90-year-old man of the hour arrives on time and stays the course for the full sixty minutes.

A Worldcon volunteer makes their way along the line, offering Post-It™ notes for people to write out any personalized salutations in advance, and announcing that Mr. Silverberg will be signing a maximum of three books. (Presumably to the disappointment of Mr. Dolly.)  I'm good - I have the hard cover first edition of Lord Valentine's Castle that I ordered online and the paperback copy that I found in Vancouver, along with a trade paperback version of Science Fiction 101, his combined textbook/reminiscence/anthology.  I have other Silverberg books in my collection, but they were not in ideal condition, and I felt oddly embarrassed to show up with something the worse for wear for a signature.

The line begins to move - presumably someplace around the corner, Mr. Silverberg has made his arrival.  We move along at a decent pace, until he comes into view.  The person behind me in line comments that Silverberg looks to be in a good mood, an issue which hadn't occurred to me.  Apparently he was less friendly at the 2024 Glasgow Worldcon, due to a bad flight experience and time zone issues. 

Once my turn comes, there are no problems, and Silverberg is affable and cheerful, if a bit businesslike:  after all, he has a lot of signatures to get through.  He carefully signs my three books, and consents to a photo:

I give him my sincere thanks, leave the line, and return my books to their protective wrapping, hopefully I can get them home without any mishaps or damage.

And finally, the result:

Thanks again, Robert - I hope you continue to attend Worldcon for many years to come.

- Sid

Worldcon 2025: In pursuit of Lord Valentine.

In the process of filtering through the epic list of programming for the five days of Worldcon, I was surprised to see legendary science fiction author Robert Silverberg listed as being a member of the panel at the Authors We Are Starting to Forget event on the first day of the conference. (There's some mild irony here, it's entirely possibly that some of the younger attendees may not be familiar with Mr. Silverberg's work.)

A quick check on Google revealed that Silverberg is 90 years old, which probably makes him one of the few remaining authors from the Golden Age of science fiction, with his first stories being submitted for publication during his early teenage years. (It also mentioned that he has never missed a Worldcon.)

I'm generally not an autograph hunter, but when I realized that he would also be available for autographs the following day, I decided that it was an opportunity that couldn't be missed, and added the autograph session (and the Forgotten Authors event) to my schedule. 

The selection of novel was easy - my favourite Silverberg story is his award-winning 1980 novel Lord Valentine's Castle, which marked his return to science fiction* after his announced retirement from writing in 1975.  The book details the fall and rise of the titular Valentine, who is cast down from his throne as Coronal of the planet Majipoor after having his mind transferred to a different body, and who must traverse the planet as part of an itinerant troupe of jugglers to regain his position and defeat the usurper.  It's an excellent, well-written novel, somewhat different from his earlier work:  thoughtful, introspective, playful and dramatic, with a final line that delivers an unexpectedly bittersweet ending to the story.**

However, as is the case with many of my more treasured books, my well-read 45-year-old paperback copy of Lord Valentine's Castle was somewhat the worse for wear,  so I decided to see if I could track down a hardover copy of the first edition.

My initial online search revealed several options, but shipping time was unpredictable, so I set off the following morning to tour the local used bookstores in hopes of a lucky discovery. 

Pulp Fiction's Main Street location yielded nothing, nor did The Paper Hound, on Pender.  I discovered a copy of the paperback edition in good condition at MacLeod's, just down the street from the Paper Hound, which was quite a surprise - MacLeod's is one of those bookstores which has lost the battle with its inventory, and as such browsing can be a challenging experience. 

In the words of my ex-boss in Toronto, a good plan today is better than a great plan tomorrow, so I bought the paperback edition as a backup (my existing copy also being in need of replacement) and headed off to the Seabus for a trip to North Vancouver and Book Lovers, a store which I hadn't previously visited.

Sadly, Book Lovers also came up empty for Lord Valentine, and I headed home with just a paperback copy to show from my five hour bookstore tour.

I returned to the web, and eventually found a first edition hardcover copy in Fine Condition at an Ontario bookseller for $35.00 CAD on AbeBooks, and decided to take a chance on having it delivered before I left.  I paid extra for expedited 2-7 day shipping, but so far the provided Canada Post tracking number hasn't shown any progress since I placed my order last Friday, and I leave next Tuesday at 7:15 AM.

And now we wait - fingers crossed.

- Sid 

 

* Or fantasy - there seems to be some variation in how the Majipoor Cycle, made up of Lord Valentine's Castle and a number of longer and shorter related works, is classified.

**It's also possible that a studious reader could learn how to juggle over the course of the story.