Neuromancer.

The sky above the port was the color of television, tuned to a dead channel.

“It’s not like I’m using,” Case heard someone say, as he shouldered his way through the crowd around the door of the Chat. “It’s like my body’s developed this massive drug deficiency.” It was a Sprawl voice and a Sprawl joke. The Chatsubo was a bar for professional expatriates; you could drink there for a week and never hear two words in Japanese.

William Gibson, Neuromancer 

If you know, you know.

For existing fans of Neuromancer, William Gibson's groundbreaking 1984 cyberpunk masterpiece, seeing the glowing neon title at the end of the Apple TV production announcement was redundant - all we needed to see was the word "Chatsubo" and we knew what was happening. 

In some ways, Neuromancer is the Holy Grail of science fiction adaptation, a quest which may well end badly for the participants.  Paradoxically, the great challenge in adapting Gibson is that he's such a good writer, which make it's almost impossible to capture his distinctively sparse, laconic style* in another medium.

There have been several attempts to adapt Gibson to the big (and little) screen. 1998's New Rose Hotel, based on Gibson's 1984 short story of the same title, stars the epic combination of Christopher Walken and Willen Dafoe as a pair of freelance corporate extraction experts hoping that they've found the big score that will set them up for life.

It's perhaps not a great film, but it far more effectively captures the moody neo-noir feeling of Gibson's writing than 1995's flawed Johnny Mnemonic.  Originally planned as a low-budget art film version of the original short story, the eventual studio release failed to match the quality of its source material on a number of different levels.

Amazon's episodic version of The Peripheral is a loose adaptation of the 2014 time travel-alternative reality novel, but does an acceptable job of visualizing the near and far future versions of the world that Gibson describes in the book.  The casting of Chloë Grace Moretz as Flynn Fisher was a particularly good choice, and it's unfortunate that the series didn't receive a second season that might have allowed it to further develop its characters and storyline. 

And now, Neuromancer prepares to take its place in the gauntlet. The casting looks good - I'm okay with Callum Turner as Case the hacker, and Dane DeHaan is an interesting choice for the psychopathic Peter Riviera - but ultimately, it's going to come down to look and feel.  If it doesn't have the right flavour, the right style, it's not going to work.

As per Apple's teaser, the series is in production now, and it's expected not to be released until sometime in 2026 at the earliest.  On behalf of the book's extensive fan base, good luck. And, to quote Ru Paul: "DON'T fuck it up." 

- Sid

* if you ever have the opportunity to hear Gibson read from his work, I strongly advise that you do so.  All other reasons aside, it means that going forward, you can quite clearly hear his voice when you read his work.