Thursday, January 16, 2014

"Response: like iPhones, but without the touch screen."


I’ve been casually re-reading Salem’s Lot on my iPhone as a fill-in text until I upload some new books, and, as always, it’s a pleasure to watch a professional at work.  In the follow-up to Carrie, his first published novel, Stephen King clearly demonstrates that his great strength is not necessarily his ability to create horror, but the manner with which he evokes the minutiae of day-to-day existence.  Much of his work combines these skills, contrasting sometimes brutally frank depictions of everyday life with the horrors under the bed to make the latter all the more chilling.*

However, as I read through King's gripping story of vampires in small-town Maine, I began to have a sort of subconscious discomfort that had nothing to do with things that go bump in the night.  Finally I realized that, at some undefined point in time, books like Salem’s Lot that I had originally read in the 70s had become historical fiction.

The majority of the characters in Salem’s Lot were born in the 1940s and 50s.  The story makes reference to all kinds of anachronistic concepts:  party lines**, peace marches, typewriters, storm windows, and the option of owning a television set without a colour screen. There are no cell phones.  There are no computers.

The joke is that in a less focused narrative, the story wouldn’t seem as outdated – it’s the extreme degree of detail with which King sets his scenes that makes the dated timeline so obvious.

It's interesting to think that contemporary mainstream fiction will eventually suffer a similar fate.  Imagine 50 years from now, when some youthful reader looks up from his virtual holo-text and says, "Weblink, inquiry - what is a 'blackberry'?"
- Sid

* When you think about it, some of Stephen King's most popular work isn't part of the horror genre at all.  Look at the success of his non-horror stories such as The Body or Rita Hayworth and Shawshank Redemption (which you may be more familiar with under their titles of their movie adaptations: Stand By Me and The Shawshank Redemption).  

** For the younger readers in the audience, party lines have nothing to do with queuing up for nightclubs - a party line is a shared phone system where different combinations of long and short rings indicate who should pick up their phone to take a call.

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