Saturday, October 25, 2014

De Castell, Dellamonica and Gibson


What’s the difference between fantasy and science fiction? Fantasy can’t happen. Science fiction is something that hasn’t happened, but could.
Probables and Impossibles, 2014 Vancouver Writers Fest
Today I ventured out into the autumn rain to attend a Vancouver Writers Fest event featuring veteran science fiction author William Gibson, and newcomer fantasy authors Sebastien de Castell and A. M. Dellamonica, reading from recent work and discussing topics ranging from world building to the dark trends in contemporary fantasy. 


To be honest, I was there for William Gibson - I've been a fan since reading Neuromancer, his first book, back in 1984, and I have an enormous respect for the unique perspective and superb style that informs his work.  However, I was very impressed by both de Castell and Dellamonica, and found the event to be well rounded and entertaining.

Dellamonica described the process of laying the foundations of her third book, Child of a Hidden Sea, as deciding that she wanted to write something "fun", and proceeding to make a list of things that she thought qualified, like portal fantasy, biodiversity, "pirates!", sword fights, David Attenborough, sailing ships and so on, and finally deciding not to discard any of the ideas and to "write about all of them!"

She defines portal fantasy as "Narnia for grownups - the idea is to go through a wardrobe or you're picked up by a tornado, something that transports you to another world but you're originally from here," and discussed how the origin of characters in our world places their story in the time it's being written, with The Lion, The Witch and the Wardrobe ultimately being about England during World War II, and the impossibility of thinking about Oz without thinking about the Dust Bowl.

In some ways, Gibson was the odd man out on the panel when it came to the discussion of worldbuilding.  As he pointed out, his writing rarely involves the construction of a fully-featured environment: "I start with a character and ... small objects, and the nature of the character and the nature of the small objects expand into an assumed world. I think ... that part of my technique has always been to rely on suggestion." 


He described an encounter early in his career with role playing game developers who were eager to transfer the cyberpunk reality from Neuromancer into a pen and paper game. One of their first questions was, "where does the food come from", part of a list of similar "Marxist" questions that Gibson was unable to answer. Ultimately, the developers gave up, deciding that Gibson's world was "not gameable".

De Castell describes Traitor's Blade, his debut novel, as "The Three Musketeers meets Game of Thrones".  Like Gibson, he also writes from a character-centric position - in Traitor's Blade, he began with the question: "What happens when the ideals that you've believed in for your entire life turn out to not* work?" and created an honourable, heroic character who lives in a corrupt, collapsing society. From that starting point, he "builds the world out based on explanations and questions," explaining that one of the most useful qualities that you can give your narrator is ignorance.

He feels that within a richly textured narrative, the props acquire a deeper level of significance beyond their physical attributes - what it means to a character to use a laser rifle versus a light saber, for example.

One of the topics that came up in the Q and A portion of the event dealt with the question of adaptation, which might well have been a red button topic with William Gibson, given the indifferent response to the film versions of his work and the fact that Neuromancer, his best known novel, has been in development limbo for the last 30 years.** 

However, Gibson handled the question gracefully, and it was amusing to watch the way the other two authors deferred to him because they hadn't been exposed to that particular situation at this point in their careers, whereas he was a seasoned veteran regarding the entire process.

The original question about adaptation mentioned games as well as movies and television.  Ignoring the issues of food production in cyberpunk fiction, I suspect that Neuromancer would probably adapt quite well to the current novelistic, story-driven computer gaming milieu.  Maybe it's time to revisit that idea, Bill.
- Sid
* The split infinitive is Mr. de Castell's, not mine.

** To my surprise, I recently found out that Johnny Mnemonic was not the only Gibson movie out there - his short story New Rose Hotel was also adapted to film in 1999.
 

Thursday, October 23, 2014

28 Days Later.


It still amazes me that a few random conversations could somehow combine with a handful of superheroes that I made up in grade school to create a novel in just a few months.  Let alone a novel someone else would want to read.
Peter Clines
Thanks to a superb group of friends, I'm just now wrapping up my birthday from last month with a final selection of gifts.  (Unwrapping might be a more appropriate verb, now that I think about it.)

When I visited Ontario, my friend Colin wisely presented me with a Chapters/Indigo gift card, which cleverly balances out my love of books with the difficulties of trying to buy me something that I don't already own (and might want to read.) Ill health and a busy schedule (a terrible combination, by the way) kept me from using the card until just last week, when I was finally able to dedicate some time to making a suitable selection of reading material.

Unfortunately, I find the Chapters/Indigo™ web site to be difficult to browse*, so I've adopted the odd technique of actually going to one of their physical stores, looking at the shelves, and e-mailing myself a shopping list for online purchasing.  This isn't as counter-intuitive as it sounds, purchasing online saved me about 20% right across the board. It also balances out the limitations of physical inventory, only two of my choices were available in the store, but looking at the shelves providing me with useful ideas for online searching.

The package from Indigo™ arrived at work today, containing the following selection of science fiction and fantasy novels:
  • Ex-Heroes, by Peter Clines
  • The Ocean at the End of the Lane, by Neil Gaiman
  • Great North Road, by Peter F. Hamilton
  • The Lies of Locke Lamora, by Scott Lynch
I've actually already read Ex-Heroes in bootlegged digital format, and enjoyed it enough that I wanted to back it up with paper, so to speak.  Peter Clines' four book Ex-Heroes series sounds like a catalogue of clichés when it's reduced to its basic elements of superheroes versus zombies, but I've been impressed by the skill and believability with which Clines creates his post-apocalyptic world and the heroes and villains that inhabit it.

For the most part, his superheroes occupy the usual slots:  Saint George, aka the Mighty Dragon, is super strong and invulnerable, Stealth is a obsessive humourless black-clad crime fighter in the style of Batman, Cerberus is a robotic battlesuit operated by the scientist who created it, and so on.  However, Clines brings his characters to life - ironically, in a struggle to protect the last survivors of Los Angeles from the undead.

As an example, Saint George (George Bailey in civilian life) is everything that a hero should be - honourable, honest, fair, and brave - but he never comes across as flat or predictable, but rather as a decent guy who has been given the gift of superpowers and who feels that it is his duty to use them to make people's lives better, no matter what happens.** 

I freely admit that the series doesn't offer any great truths or startling insights, but if you're looking for a solidly written, entertaining and enjoyable reading experience, I strongly recommend the Ex-Heroes.

Neil Gaiman is an obvious choice - has Neil Gaiman ever written a bad book? I think that the worst thing you can manage to say about Neil Gaiman is that some of his writing is not as good as the rest:  there's variation even in excellence. That being said, reviews suggest that The Ocean at the End of the Lane may be one of the better examples of his work, and I look forward to reading it.

I've mentioned Peter F. Hamilton and his Reality Dysfunction series here previously - I can only describe Hamilton's talent as astonishing.  His futures are incredibly rich and detailed, filled with an astounding range of technologies, locations, characters and situations, and his story lines are epic.  Great North Road combines all of that with a murder mystery - and a detective named Sidney, it's rare for me to get that sort of opportunity to identify with a character.

It's far too easy to get into a rut when buying books, so I always try to throw in a wild card.  This time it's The Lies of Locke Lamora, the first in a series of fantasy novels about Locke Lamora, the Thorn of Camorr - confidence man, trickster and thief.  I was intrigued by the concept, we'll see if it lives up to its back-cover advertising.  Thanks for the opportunity, Colin.

I can't finish this posting without thanking my friend Chris for the final item on my birthday list, a TARDIS USB hub, which flashes its roof light and emits the characteristic sounds of phasing in from time travel whenever a device is plugged in.  And it's LOUD - no wonder people seem to be able to hear it from so far away on the show!  Thanks again, Chris - there may well be a video follow up to this posting so you can see - and hear - what it's like in action.
- Sid

*Okay, is there anyone - ANYONE - reading this who shelves their books alphabetically by title?  In their physical stores, Chapters™ displays their books by author, which is pretty much how every bookstore I've ever visited does it.  However, the Chapters™ web site does not offer A-Z By Author as a viewing option - how hard would that be to program, for heaven's sake?

** George is also a Doctor Who fan, which obviously goes a long way with me.  To be more accurate, he views the Doctor as a role model:  "He was just a really smart guy who always tried to do the right thing.  To help people, no matter what."
 

Tuesday, October 14, 2014

The Queen of Engines.

"That Enchantress who has thrown her magical spell around the most abstract of Sciences and has grasped it with a force which few masculine intellects could have exerted over it."
Ada Lovelace as described by Charles Babbage.
October 14th is one of the less known holidays on the geek calendar, but nonetheless an important one. Today is Ada Lovelace Day, a celebration of the accomplishments of women in science, technology, engineering and mathematics. 

For readers unfamiliar with Ada King, Lady Lovelace, she is a pivotal figure in the history of computing, working closely with Charles Babbage, the creator of a steampunk gear-driven calculating machine that he called the Difference Engine*. Lovelace's speculations as to the potential of Babbage's proposed next-gen Analytical Engine, published in 1842, predict the eventual development of hardware able to solve a wide variety of mathematical problems, and her notes regarding the manner in which the Engine could calculate a sequence of Bernoulli numbers are widely considered to be the first computer program in history.

Although I completely agree with the adoption of Lady Lovelace as the symbol of women in science, why not celebrate the more visionary arts as well? Let's acknowledge the woman who occupies the same position in the pantheon of science fiction authors that Ms. Lovelace holds in the programming world, the woman who invented Frankenstein's monster, the woman who wrote the first eponymous post-apocalyptic Last Man novel in 1826?  Next year, let's see if we can't get Mary Shelley Day onto the calendar as well.
- Sid

* Astute readers will recognize this term in the title of one of my birthday gifts - a book in which an alternate history Lady Lovelace makes an appearance.
 

Thursday, October 2, 2014

Remember, drink responsibly!



After a couple of pints, Sid starts flashing his TARDIS in the bar.
- Sid

UPDATE: As it turns out, my sister's question below about the ghost at the Inn on the Falls is not entirely correct.  Apparently there is a total of three ghosts on site, not one.  Now, as I've previously commented, I'm a bit of a sceptic when it comes to this sort of supernatural phenomenon, but it's an interesting coincidence that out of all the places we could have stayed in Muskoka, we ended up at the haunted inn.
 

Wednesday, October 1, 2014

Sentimental Concrete Robot and Other Toronto Vignettes

As per my birthday posting, I'm currently in Toronto as part of a one-week vacation trip to Ontario. Following are a few quick outtakes from the trip so far.


Good advice, but unexpected.


Really not the kind of thing that I was expecting to see for sale in Yorkville.

 
The alien invaders were quick to adapt their buildings to ours.


I'm not going to claim that the original Royal Ontario Museum is an example of classical architectural excellence, but seriously, these two styles do NOT work together.  In fact, if you told me this was the result of alien spores rather than deliberate planning, I might well believe you.
 

Abandoned Raygun, Rockwood Conservation Centre.

 
Score.


Whenever I visit Colin, he always takes me to the Pickering Flea Market - I'm not sure why, there's only so much shopping I can do when I'm travelling with carry-on - but this time there was an unexpected bonus.  The Market has added an Antiques section, where I was surprised to find some copies of Galaxy magazine from the 50s for a mere $3.50 each.  They're not in mint condition, the spines are a bit beaten up, but I know a lot of people of similar vintage who also have back problems.



Not a bad name for a band - okay, maybe an 80s band.


And, in conclusion - sentimental concrete robot, as per the posting title.
- Sid