Though much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are,
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
Alfred Lord Tennyson, Ulysses
From the very beginning of the first episode of
Picard, it's obvious that the series will be catering to nostalgia on the part of the
Star Trek fan base, as Data and Picard play poker in Ten Forward on the
Enterprise to the tune of
Blue Skies, the Irving Berlin tune that Data performed at Riker and Troi's wedding in
Star Trek: Nemesis - and which B4, his less sophisticated duplicate, attempts to sing at the end of the movie.
Sadly, it's only a dream, but a dream whose ending suggests disaster and chaos, as the surface of Mars erupts in explosive flames that engulf the Enterprise, The explosion jolts Picard into awareness in his bedroom at Chateau Picard, where his dog, Number One, runs to greet his troubled master.
We then jump to Greater Boston, where a young woman celebrating a new job appointment with her boyfriend is suddenly assaulted by masked assassins, who kill him then restrain and blindfold her. Surprisingly, she is able to eliminate them all - while blindfolded - and afterwards has a vision: the face of Jean-Luc Picard.
The music for the title sequence that follows is more thoughtful and introspective than the standard
Star Trek themes that we've heard in the past, almost wistful - a motif that provides the theme for the first episode, aptly entitled
Remembrance.
We are presented with a Jean-Luc Picard who is in retirement if not decline, withdrawn to self-imposed exile at the family estate in France, living a life of quiet seclusion and unexpectedly attended to by a pair of Romulans. When pressed by one of them regarding his bad dreams, Picard comments that "The dreams are lovely, it's the waking up that I'm beginning to regret."
An unexpectedly adversarial media interview reveals that ten years earlier, while Picard was in charge of a humanitarian effort by the Federation to help evacuate Romulus before its sun became a supernova, rogue synthetics destroyed the Utopia Planetia shipyards on Mars, setting the entire planet on fire. This disaster leads the Federation to withdraw from the rescue mission, causing Picard to resign in protest.
In a burst of temper, Picard verbally savages the interviewer and storms out of the room.
Later, as he consoles himself with a glass of wine, he is surprised by the woman from Boston, who has come to him for help after seeing his interview.
Her name is Dahj, and she is unable to explain why she has decided that he will be able to protect and help her. However, as they talk, she confesses to a sense of connection to Picard, from deep within her.
The next morning, after Picard has once again dreamed of Data, who is this time working on a painting, she has vanished from her room. Disturbed by something in his dream, Picard visits Starfleet Archives to take a trip into his past in what is essentially a memory
palace, a storeroom containing mementos such as models of the
Stargazer, his first command, a Klingon bat'leth, and a banner from Captain Picard Day. He extracts a canvas from storage, a 30 year old painting by
Data entitled "Daughter". The face in the painting is that of Dahj.
Leaving the archive, Picard is surprised to see Dahj again, who had left the chateau rather than take a chance of placing Picard in peril. Picard explains that she may in some way be connected to Data, but she is horrified by the suggestion that she may not be real. She then somehow senses that another kill squad is on its way, and although they try to escape, Dahj dies in battle with the assassins, who are revealed to be Romulans.
Picard, knocked out by the explosion that kills Dahj, awakens at home. He has been returned there by the police, who claim that the security feeds showed him to be alone at Star Fleet headquarters. Spurred by what he sees as a failure to both himself and to Dahj, Picard is determined to solve the mystery set before him.
His first step is to visit the Daystrom Institute of Advanced Robotics in Okinawa, where he is met by by Dr. Agnes Jurati, one of the institute's researchers, with whom Picard discusses the possibility of flesh and blood androids.She explains that following the attack on Mars, synthetic life forms and AI research have been harshly restricted, but that even before then, they had only been able to produce relatively primitive artificial life forms.
However, Picard learns that Bruce Maddox, who unsuccessfully attempted to have Data disassembled in the classic
Next Generation episode,
The Measure of a Man, has vanished from the Institute following the ban. Picard shows Jurati a necklace left behind by Dahj, which she recognizes as a symbol for fractal neuronic cloning: a theory of Maddox's positing that Commander Data's code, even his memories, could be recreated from a single positronic neuron.
Jurati then comments that this process would result in pairs of androids - twins. Picard comments thoughtfully, "So there’s another..."
The episode concludes by giving us the final pieces of the puzzle with an enigmatic glimpse at the current location of Dajh's twin sister Soji on a derelict Borg cube being reclaimed by Romulans.
Remembrance is an intriguing and well written episode, as might well be expected given the involvement of Pulitzer-prize winning author Michael Chabon in the project, and I'm curious to see where the story will take us, and which of the characters from the
Star Trek universe will make an appearance. (It's already been teased that Jeri Ryan will return as Seven of Nine, which would suggest that the Borg cube will play a significant part in the story.) It's also a pleasure to see Patrick Stewart return to the role of Jean-Luc Picard, bringing back the charm, humour, compassion, earnest conviction and strength of character that typified his portrayal of the captain.
However, it's obvious that neither Picard nor Stewart are young men any more. As with his portrayal of Professor X in
Logan, there are hints of King Lear in Stewart's performance as Picard, especially in his fit of rage during his interview, and his subsequent regret. There's also an echo of
Star Trek: Generations - it's easy to see that Picard, like James T. Kirk in that film, wants to matter again.
One has to wonder if this series is intended to mark the end of Picard's story in a similar fashion to that of the Professor, or Kirk - will Picard ultimately fail to survive his search for the solution to this mystery?
If this series is intended to present us with the last act of Captain - now Admiral* - Picard, hopefully it won't be too soon. As Picard wistfully comments to Data in the opening sequence, he doesn't want the game to end - and neither do his fans.
- Sid
* "Retired!"