Thursday, September 8, 2016

The 50th anniversary of Star Trek - more or less.



Today is the 50th anniversary of the broadcast of the very first episode of Star Trek – the famous NBC showing of The Man Trap on September 8th, 1966, a date etched in the annals of science fiction geekery.

Or not.

The ACTUAL first broadcast was Canadian: September 6th on CTV.  Take that, 'Murica.*

- Sid

* And if we’re going to do a bit of flag waving here, let’s not forget William Shatner, a nice boy from Montreal who got his start doing Shakespeare at the Stratford Festival in Ontario.

Monday, September 5, 2016

Revelation 6:8.



It's Labour Day, and with Labour Day comes the start of the school year.*  Every now and then I look around for courses dealing with my area of interest - I've often thought it might be interesting to study science fiction or fantasy on a scholarly basis.  Over the years I've looked at a wide variety of courses, but it just never seems to work out for me in terms of time and scheduling.

One of the more intriguing options available in the current year comes from the Langara College English Department:  Apocalypse Now: Literary Narratives of Pandemic.  It's an interesting choice for a topic: unlike the more speculative disasters such as global warfare or the destruction of fossil fuels, humanity has actually experienced at least one pandemic event. In the middle of the 14th century, the Black Death swept across Europe like a dark curtain, killing uncounted millions of people - some estimates place the death toll as high as 60% of the population, if not higher.

I'm quite curious as to how this course approaches pandemics in a literary framework, but sadly, the Langara web site provide no more specific information other than the following:
Students in this course will study prose fiction in a variety of forms with the goal of improving their strategies for reading and writing about 20th and 21st century prose. Course themes and content, as determined by the English Department, may vary each semester. Check the Registration Guide for details.
As a result, we have to extrapolate - how does one approach pandemic writing from a literary perspective?

Depending on how you define your terms, there would certainly be plenty of grist for the mill. The earliest fictional (as opposed to Biblical) take on a global apocalypse is Mary Shelley's 1826 novel The Last Man, which tells the tale of an end to the world very much like the near miss of the Black Death. The late 20th Century is thick with novels where a disease of some sort wipes out 99% of the population**: The Stand, Oryx and Crake, I Am Legend, Earth Abides, The Last Canadian, and so on. If you broaden your definition of pandemic to include the walking dead (caused by a contagious medical condition transmitted by biting, rather like rabies) the list grows exponentially.

Most of this fiction deals with the immediate aftermath of disaster: finding food and shelter, seeking allies or companions, defending against cannibals and raiders, etc.  It almost goes without saying that this is a pessimistic literature, a literature of life lived in the present. It's rare that these stories look very much further down the road than the immediate crisis.***

A rare longer term view of the challenges - and consequences - of attempting to rebuild a broken world can be found in Some Will Not Die, a 1961 novel by Algis Budrys, which paints a brief multi-generational picture of the years following the fall of civilization in terms of ends and its justification of the means used to achieve them.

The White Plague, by Dune author Frank Herbert, presents a very different view of justification. This 1982 novel is the story of a microbiologist deprived of his family by a bombing in Northern Ireland, and his decision to punish all of the participants in the conflict with a similar loss, now and forever: the eponymous White Plague is fatal only to women. The book concludes with a brilliant description of a journey through the tortured remnants of Ireland by the biologist and the bomber as the plague escapes the bounds of the United Kingdom and begins to infect the entire world.

As it turns out, this display of erudition in the area of apocalypse is fruitless - I don't have the prerequisites which would allow me to take the Langara course.  Although, to be honest, I might find it more interesting to take a shot at teaching a class or two than attending them...

- Sid

* Those of you involved in multi-semester education, just work with me here.

** I'd love to add The Andromeda Strain to this list - I grant you that it's more of a failed pandemic, a pandemic manqué if you will, but the scenes set in the Arizona town which finds the crashed probe so clearly show the horror of an alien disease set loose on Earth.

*** It would be interesting to see an episode of The Walking Dead set in a future time when Carl is his father's age or older.

Wednesday, August 17, 2016

Doctor Why?

While we were lying in bed last night, Karli looked up from her iPhone and said, "Oh look, Doctor Who is going to be filming in Vancouver!"

I glanced at her suspiciously over my glasses and said, "Well now you're just toying with me..."


After recovering from my fanboy reaction to confirmation of this exciting bit of news, my first thought was, "But why?"  The new Doctor Who - okay, it's been eleven years, perhaps we can stop calling it "new" - has a fairly impressive record in terms of location shooting for a TV series:  Arizona, Venice, New York, Croatia, Istanbul and so on.  However, those locations were selected due to their unique nature - there aren't many spots near Cardiff that you can make look like the Sonoran Desert or Venetian canals.

Vancouver is normally used as a stand-in for American locations by production companies looking to take advantage of tax breaks and an advantageous exchange rate. If you're starting in Los Angeles, you can actually drive here in 20 hours if you have a lot of props that you need to bring along.  In the case of Doctor Who and the BBC, what does Vancouver bring to the table that couldn't be matched with a short European flight that didn't involve a seven hour jet lag debt?

Perhaps this will be another one of the rare cases where Vancouver plays itself.  I don't think that the Doctor has ever addressed the mystery of Bigfoot, which would very much require a Pacific Northwest location.  Let's hope it's something like that, and we'll have the opportunity to see the Doctor and his new companion Bill doing the Grouse Grind, running across Lions Gate Bridge, or enjoying the night life in Whistler. (I think it less likely that he'll show up at Number Five Orange, although that would certainly bring a whole new direction to the character.)

The bad news?  I'm going to be out of town for a week at the start of October...you just wait, they'll arrive the day after I leave, have some kind of huge fan event while they're here, and be gone before we're back.  Sigh...and I made all those reservations...
- Sid

P.S.  Astute fans of the Doctor's production history will be aware that this is not the first time that the last Time Lord has visited Vancouver, at least as a shooting location. Vancouver stood in for San Francisco in the 1996 made-for-TV movie that featured Paul McGann as the Doctor, and Eric Roberts as the Master - the second-to-last Time Lord.