Monday, August 18, 2025

Worldcon 2025: Epilogue.

Event Horizon by Donato Giancola

And now it's the day after.  I have a mild Worldcon hangover - like the children in The Lion, The Witch and the Wardrobe, it all seems like a dream now.  I somehow doubt that I'll attend another one, so this really was a once in a lifetime event for me.

In retrospect? It was an enormously satisfying experience in every way.  If anyone reading this is a fan of the written word in science fiction and/or fantasy, I strongly suggest that you attend a Worldcon if you can: it's a rare opportunity to participate in sessions and dialogues about the things that you know and love, to pick up new information, to hear stories and anecdotes, to see some of your favourite authors read and discuss their work in person, to be introduced to new authors, to get autographs, pick up some books, old or new, buy some merch, and generally celebrate your love of the field for five days.

I'm not a very gregarious person, so I didn't attend any of the after dark events, it's not in my nature, but I applaud the people who took advantage of that opportunity to celebrate the community on the dance floor as well.  

However, there were some  - well, disappointments is a strong word - let's say surprises.  

I thought that Tor Books would have a massive presence in the dealers room.  In fact, I thought all the major publishers would be there.  There was excellent representation by smaller publishing houses, but none of the major players were in attendance.

I was a bit surprised that Guest of Honour Martha Wells didn't present an award at the Hugos. There were some guest presenters - and, full disclosure, no one I knew by name - but there were some well known names in attendance, such as David Brin, Paolo Bacigalupi, Nancy Kress, and Robin Hobb, and it struck me as odd that I didn't see anyone whose name I recognized from my bookshelves handing out a rocket ship statue.

There were a few gaps in the management of the event. The first day was very obviously a learning experience for the panelists in terms of figuring out how the microphones worked, activating the voice-to-text accommodation systems, trying to connect to projectors, and otherwise dealing with tech support issues that should have been supported by the venue.  

There were also some situations that required an event representative who just wasn't there, such as checking signups for the in-person author Table Talk event on the last day.  I was on the standby list for Larry Niven, and the start time came and went without anyone from the convention taking charge. If there had been room at the table, I would probably have just sat down with Mr. Niven - and for all I know, some of the people filling the seats had just shown up and taken a chair.

Finally, there were several sessions where I honestly felt I could have done a better job as a panelist than the actual participants.  Obviously not the more specialized sessions, such as the excellent NASA/JPL talks, but for topical programs such as War—From Star Trek to The Expanse or Man Versus Extraterrestrial Nature, I would have been able to bring as much to the table (literally) as some of the chosen panelists, if not more. 

That being said, I have a general dislike of non-participant criticism, so maybe I should try to attend another Worldcon after all, and put my name in the hat as a panelist.  Apparently Edmonton is in the early stages of bidding for the 2030 Worldcon, that might be my opportunity to put my money where my mouth is.

Criticism aside, the short answer is that it was an excellent event and I had a wonderful time, and I would like to thank all of the people who were involved in any way with making this Worldcon happen.  My only real regret is that there was not enough time in the day to do all of the things I wanted to do.  

- Sid

Sunday, August 17, 2025

Worldcon 2025: Quotable Quotes.

"I'm the brontosaurus of the party. You're talking about history - this is my life."

Robert Silverberg, author

‘“Mars is my planet.”

Bridget Landry, JPL engineer, retired. 

"People complained, 'They made it funny.' - I am funny!"

Martha Wells, author, on the Murderbot series adaptation

"I'm a terrible actor. I would have to be a dead body."

Martha Wells, on doing a cameo on Murderbot 

"If you enjoy this reading, you can't buy it yet."

Fonda Lee, author

"I started writing fantasy because writing science fiction was just reworking the fears of the day, I wasn't bringing anything new to that conversation. And it was DEPRESSING!"

Paolo Bacigalupi, author 

"I never had a brand."

Nancy Kress, author  

 
 "When I get a fantasy idea, I write it.  Sometimes I write it as science fiction, in which case I write two stories."

Larry Niven, author 

"When I was starting out, I tried to learn from other writers.  It's very hard to imitate Bradbury, he has a great talent for implying that there’s a story there."

Larry Niven, author 

"I helped invent a lot of elements in these and I hate them."

David Brin, author, regarding his cell phone.  

"I get hate mail from my 35 year old self and I don’t remember how I sent them: GET ON WITH IT, OLD MAN!!" 

David Brin, author, on whether he will write another Uplift novel

"My name is Olav Rokne, and as of last night I have lost the Hugo for best fanzine six times."

Olav Rokne, blogger 

"Why do Klingons only speak one language? Genocide." 

Olav Rokne, blogger 

"The future belongs to everyone."

Jordan S. Carroll, author, from his Hugo acceptance speech for Speculative Whiteness: Science Fiction and the Alt-Right

- Sid

Worldcon 2025: And the winner is...

2025 Astounding, Lodestar, and Hugo Award Winners

Astounding Award
Moniquill Blackgoose

2025 Lodestar Award for Best Young Adult Book
Sheine Lende
, by Darcie Little Badger

Best Poem
A War of Words, by Marie Brennan

Best Fan Artist
Sara Felix

Best Fan Writer
Abigail Nussbaum

Best Fancast
Eight Days of Diana Wynne Jones,
presented by Emily Tesh and Rebecca Fraimow

Best Fanzine
Black Nerd Problems
, editors William Evans and Omar Holmon

Best Semiprozine
Uncanny Magazine
, publishers and editors-in-chief: Lynne M. Thomas and Michael Damian Thomas; managing editor Monte Lin; poetry editor Betsy Aoki, podcast producers Erika Ensign and Steven Schapansky

Best Professional Artist
Alyssa Winans

Best Editor, Long Form
Diana M. Pho

Best Editor, Short Form
Neil Clarke

Best Game or Interactive Work
Caves of Qud
, Freehold Games

Best Dramatic Presentation, Short Form
Star Trek: Lower Decks: “The New Next Generation”,
created and written by Mike McMahan, directed by Megan Lloyd

Best Dramatic Presentation, Long Form
Dune: Part Two
, screenplay by Denis Villeneuve and Jon Spaihts, directed by Denis Villeneuve

Best Related Work
Speculative Whiteness: Science Fiction and the Alt-Right
, by Jordan S. Carroll

Best Graphic Story or Comic
Star Trek: Lower Decks: Warp Your Own Way
, written by Ryan North, art by Chris Fenoglio

Best Series
Between Earth and Sky
, by Rebecca Roanhorse

Best Short Story
Stitched to Skin Like Family Is”,
by Nghi Vo

Best Novelette
“The Four Sisters Overlooking the Sea”
by Naomi Kritzer

Best Novella
The Tusks of Extinction
, by Ray Nayler

Best Novel
The Tainted Cup
, by Robert Jackson Bennett

- Sid